重讀戴君仁《梅園詩存》

A Reinvestigation of Dai Junren’s Meiyuan Shicun

戴君仁（靜山，1901-1978）為當代古典學術名家，治學領域廣泛，且皆有專門論著行世，然而讀者多關注其「學人」表現之面向，罕深究其「詩人」之身份與造詣。本文嘗試彌補此一缺憾，以戴氏《梅園詩存》為對象，析論其詩歌成就及創作理念，主要從三個方面展開討論：《梅園詩存》中的臺灣經驗、梅園詩的情趣、理趣與憂思，以及其淵源之所出，據此說明戴詩之特色，從而賦予其宜有之定位。戴氏現存詩作幾乎全寫於來臺之後，與其他渡臺詩人相比，他對新生活的描寫與感受頗不相同，屢可見其寧定自得，乃至欣賞之情，時而流露對現實之批判與關懷。如究其創作理念，則可溯及宋明理學之傳統，其師馬一浮（1883-1967）之影響尤大。雖然戴氏與詩壇互動不多，詩名亦為學術成就所掩，探討1949年前後渡臺古典詩歌與詩學之傳承創造，梅園詩作誠為不容忽略之典型。

Dai Jun-ren(1901-1978) is known to be one of the representative scholar who created a legacy of Chinese classical academy and thought. However, unlike the academic works, his poems and poetics were almost forgotten in the discourse of contemporary classical poetry. Actually, he was accomplished in poetry which not only expressed old memory but also rich and vivid observation in Taiwan since the late 1940s. This paper will delve into Dai Junren’s Meiyuan Shicun and shed light on the experiences and feelings in the poems in comparison with Tai Jingnong and other poets from Mainland China to Taiwan in the turbulent era. In addition to nostalgia, Dai enthusiastically appreciated and recorded in the evergreen flowers and trees and abundant products in this subtropical island. Even to the typhoon and heavy downpour, Dai always chose to maintain the inner peace. This quiet dignity were rooted from his self-cultivation of Confucianism and the model of Ma Yifu. The study will try to offer a in-depth look at Dai’s spiritual life and valuation of significance of his poems in the context of classical poetry and mind in contemporary Taiwan.