| 英文摘要 |
Taiwan’s juvenile historical novels construct historical imagination through characterization, plotting, and narrative perspective. The study examines works such as Li Tong’s Young Kavalan, Our Secret Magic Rock, Doctor Budu and Me; Zhang Jiahua’s Moonlight Trilogy;Lin Manqiu’s A Handful of Lotus: The Legend of Black Water Ditch, and Zhou Yaoping’s Taiwanese Young Soldiers Build Aircraft. These texts reproduce cultural memory of Indigenous peoples and Taiwan’s role in 17th-century global trade, evoke memoris of the Japanese colonial era, and reflect on the postwar period. They also explore connections between Wiccan culture and Indigenous rituals, interpreting memory as a means of confronting historical trauma and addressing ethnic issues. Through historical narratives, spatial imagination, and symbolic objects, these novels integrate Taiwan’s past, present, and future into a meaningful narrative whole. |