締宋：宋孝武帝劉駿對劉裕形象的複製與轉化

Reconstructing the Song Dynasty: The Replication and Transformation of Liu Yu’s Image by Emperor Liu Jun of the Song Dynasty

本文擬透過有關劉宋和北魏雙向的歷史書寫，運用相關的文書與文學作品，包括有韻的廟歌與詩歌，和無韻的詔令章表，探討宋孝武帝劉駿形象的書寫，如何受讖、刊定內亂與收復失土，疊映其祖宋武帝的身影；另一方面，該文解說劉駿懲於其父宋文帝三次北伐失敗的教訓，改變了宋、魏軍事征伐對抗模式，轉而致力於復禮輯樂與文學競爭，在在透過「文」的實踐，諸如將其父劉義隆的謚號，由「景」改為「文」，以期符合謚典中「經天緯地曰文」之意，刻意推尊其父的文德，以其掩飾其武功失敗的記憶；除了復禮輯樂之外，劉駿還以國家之力興復國學，透過帝王雅集大力推動文學，締造「大宋」的嶄新形象，亦即重新塑造一個人文化成的文字帝國，進而延續整個南朝尚文的文化氛圍，形成當時對抗北朝的另一種戰爭表現。

This article explores Emperor Liu Jun’s portrayal in historical narratives of the Liu Song and Northern Wei dynasties. Drawing on literary sources such as temple hymns, poems, edicts, and decrees, it examines how Liu Jun mirrores his ancestor Emperor Wu though omens, internal pacification, and efforts to reclaim lost territory. Learning from his father Emperor Wen’s failed northern campaigns, Liu Jun shifted focus from military confrontation to cultural revival. He emphasized the restoration of rites and music, literary patronage, and symbolic gestures such as renaming his father’s posthumous title from“Jing”to“Wen”to enhance literary legacy and obscure military defeats. Liu Jun also revived national education and used imperial gatherings to promote literature, crafting a new image of the“Great Song”. This cultural emphasis helped establish a literary identity for the Southern Dynasties, serving as an alternative form of resistance against the North.