（真）隱士為何被看見？從「渾」與「狂」談《莊子》的應世修養與行動展演

Why is the (True) Hermit Seen? Discussion of the Cultivation and Performance of Zhuangzi from ''Chaos'' and ''Madness''

在源遠流長的隱士文化中，我們可以觀察到一個很有趣的評價，那便是認為真隱士不應該被看見。此評價所針對的現象，則是有許多隱士不斷地向外替自己歸隱的行徑與價值進行宣說。撇除那些沽名釣譽的假隱士，本文借徑於《莊子》的「渾」與「狂」，透過社會表演的概念，理解「（真）隱士為何被看見」的問題。

In the long-standing culture of hermits, we observe an interesting assessment that true hermits should not be seen. For the phenomenon that this assessment is aimed at, many hermits have been continuously proclaiming their own reclusive behavior and values. Aside from those false hermits who seek fame and reputation, this essay draws on the ''chaos'' and ''madness'' of Zhuangzi to understand the question of ''why the（true）hermit is seen'' through the concept of social performance studies.