韻律與句法：論漢詩語言藝術研究的理論軌跡及進展

Prosody and Syntax: On the Theoretic Trail and Progress of Research on the Language Art of Classical Chinese Poetry

漢詩語言藝術批評作為一種批評取向開始於抒情傳統一路，且有其內在承續的發展軌跡，但此路徑由韻律和句法解釋詩句美感原理，會產生循環論證，由果溯因的問題。新世紀的漢詩語言藝術研究引入現代語言學的視角與概念，從漢字單音表意的特性出發，顯示出語言學可以在原理層面為詩學研究帶來進一步拓展的空間。韻律詩體學原理與詩體「內聯性」概念解釋了韻律與語法為何聯係緊密。漢語話題結構的形式界定把話題確定為漢語基本句法成分，改變了傳統句法理論框架，能夠從形式上確定以往被視為倒裝或錯置句之本然語序的美感原理，為漢詩句法提供新的分析視角。

Language Criticism of Classical Chinese Poetry, as a method of criticism, began with the Lyrical Tradition and has its own inherent development tradition. However, this path uses rhyme and syntax to explain the aesthetic of poetry, which will lead to circular arguments and the problem of tracing cause from effect. The study of the language art of classical Chinese poetry in the new century introduces the perspective and concepts of modern linguistics, starting from the characteristics of monophonic ideograms of Chinese characters, and shows that linguistics can bring room for further expansion of poetic research at the theoretical level. The prosodic studies on poetry and the“Inner Coherence(內聯性)”of Chinese poetic forms explain why prosody and syntax are closely related. The formal definition of Topic-Comment sentence identifies topics as basic syntactic components of Chinese sentence, which changes the traditional syntactic theoretical framework, can formally identify the aesthetic of the usual word order that were previously regarded as inverted or misplaced sentences, and provides new insights into Chinese poetry syntax.