| 英文摘要 |
The hallmark of Haruki Murakami's writing is that he positions the novel as an emotional experience shared between the author and the reader, while simultaneously exploring the independence of the ''novelist'' and the ''reader'' within the creative framework. Murakami does not emphasize the writer's self-enclosure or a unidirectional relationship; instead, he seeks, through narrative, to uncover the complementary relationship between the ''novelist'' and the ''reader.'' Consequently, the novel becomes a medium for voices resonating across multiple contexts, including visual, auditory, physical, and temporal dimensions. In Losing Blue (1992), ''Blue'' symbolizes not only a sense of personal loss, detachment, and loneliness but also the process of responding to others and ongoing self-reflection. Therefore, by analyzing the various visual representations of ''Blue'' and exploring themes such as consciousness and the unconscious, absence and nonexistence, as well as the mysteries, violence, and fear left behind by missing characters, it becomes possible to uncover Murakami's experimental endeavor to transition from ''detachment'' to ''connection'' within his novels. Although Losing Blue is a short story, it distinctly reflects Murakami's ideological explorations during the 1990s and stands as a crucial work that warrants reexamination. Through this study and analysis, Murakami's transition and maturation as a writer become evident. Reexamining his creative trajectory offers valuable insights into his worldview as a vocational novelist. |