琴館文化的過去與現在

「琴館」一詞之出現，目前文獻最早可見為建於晚清時期蘇州怡園的「坡僊琴館」，其質性與宋代朱長文別業「樂圃」類似，皆因主人對古琴的愛好及某種因緣而建。
2003年，古琴被聯合國教科文組織列為非遺文化遺產後，古琴文化發展達到史無前例的熱潮，特別是在申遺成立，以及2008年北京奧運會開幕式演奏古琴後，古琴文化發展日益見長，民間「琴館」的開設如雨後春筍，快速蓬勃的成長，然而過去與現今的「琴館」內質是截然不同。
本論文以「傳統琴館」和「當代琴館」分別論之，從琴館文化的性質、定位、內容和發展逐一檢視，從而探討琴館文化的質變與影響。

The term ''Qin Guan'' appears. The earliest document that can be found is the ''Po Xian Qin Guan'' built in Yiyuan, Suzhou in the late Qing Dynasty. Its nature is similar to that of Zhu Changwen's villa ''Yue Garden'' in the Song Dynasty. It was built based on hobbies and certain causes.
After the guqin was listed as an intangible cultural heritage by UNESCO in 2003, the development of guqin culture reached an unprecedented climax. Especially after the establishment of the UNESCO World Heritage application and the performance of guqin at the opening ceremony of the 2008 Beijing Olympic Games, the development of guqin culture continued to develop, and folk music '' Qin Guan '' were opened like mushrooms after a rain, and they grew rapidly and vigorously. The ''Qin Guan'' in the past were completely different from the ''Qin Guan'' of today.
This paper discusses traditional and contemporary Qin Guan respectively, examining the nature, positioning, content and development of Qin Guan culture one by one, thereby exploring the qualitative changes and influence of Qin Guan culture.