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篇名
「小清新」的憂傷:以陳綺貞樂迷為例
並列篇名
The Sorrow of Twee Pop: Using the Fans of Cheer Chen as examples
作者 熊方瑜
英文摘要
Taiwan Female Pop singer Cheer Chen had been made her debut in 1997. Even now in the neoliberal era, her song which is called "Twee Pop" style still make people feel comfort. In the first, this research will arrange the meaning of "Twee Pop " between Taiwan and China and then discuss what these fans feel for the social perception and their sentiment of modernity. This research used Online-survey and discourse analysis. Online-survey questionnaires were issued in three Internet communities: the fan club of Chen in Facebook private association, the official guestbook, and "Cheer board" in "PTT". Collected 199 valid samples. In gender composition, female accounts for 55.28% of total fans, and male accounts for 44.72%. In age composition, fans are mainly based on 15~22 years old, which accounts for 50.75%. On the other way, we focus on the fans' messages from September 2014 to January 2015 on official guestbook to do discourse analysis. The result found that the fans who experienced the modern sentiment, can be classified to four categories: invisible future, fans who don't like the present job, using the aesthetic feeling as the comfort of helpless, and fans who can't find a sense of belonging.
起訖頁 59-94
關鍵詞 小清新陳綺貞現代性情感Cheer Chenfanssentiment of modernityTwee Pop
刊名 傳播文化與政治(簡體版)  
期數 201606 (3期)
出版單位 媒體改造學社
該期刊-上一篇 推展台灣關機運動:執行模式與未來發展
該期刊-下一篇 讓大船轉彎:傳統雜誌發展新平台——以《天下雜誌》「獨立評論@天下」為例
 

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