孤俠之旅與無方之遊——談舒國治的旅行散文

Lonesome Wandering Journey of a Martial Art Hero: A look into ShuKuo Zhi's writings on his traveling experiences

在九○年代興起的旅行文學風潮中，一舉囊括兩大旅行文學首獎的光芒，使舒國治旅行散文中流露出迷人圖景、特異的文風，成為眾多文評追逐的焦點。本文由「知人論世」的角度出發，試圖由舒國治的時代、文化、個人背景對其作品進行爬梳。全文由五個面向進行分析：一、無「家」之方──舒國治與旅行文學的譜系；二、無「世」之方──舒國治與臺灣一九七○年代；三、無「我」之方──舒國治與臺灣武俠小說黃金年代；四、無「時」之方──舒國治的鄉愁與中國美學化；五、無「地」之方──舒國治旅行散文的電影閱讀等五個面向切入，解讀舒氏展現的心靈圖景，希望能在臺灣旅行文學的發展脈絡中，將其適切的置入視域。

Among the rising trend of travel literatures, having won two major travel literature awards at one time, the writings of Shu Kuo Zhi on traveling experiences revealed fascinating pictures and his peculiar writing style. Thus, his work became the chasing focus of literature critiques. From the perspective of“from knowing the person in order to comment on the world”, this article will attempt to comb through the current time, culture, personal background and his collective work. This study will emphasis on the analysis of five aspects: 1)the aspect of“homelessness”discusses the orientation between Shu Kuo Zhi and traveling literature; 2)the aspect of“worldlessness”explores Shu Kuo Zhi and 1970s' Taiwan; 3)the aspect of“selflessness”looks into Shu Kuo Zhi and the golden era of Taiwanese martial art's novels; 4)the aspect of“timelessness”is about Shu Kuo Zhi's homesickness and Chinese aesthetics; 5)the aspect of“dimensionlessness”examines the threads between Shu Kuo Zhi's traveling writings and his readings on film productions. From these five aspects, we are trying to read into Shu's mind pictures displayed in hope that in the path of Taiwanese literature development, we can place him in the proper position of visibility.