王船山人格美學探究

A Study on Wang Fu Ji's Aesthetics of Character

本文意在探討王船山美學思想中的人格美學，船山的哲學取向自具特色，一是由本貫末，二是即氣言體，三是乾坤並建，故強調即器見道，以個體人格、禮文生活，及現實世間凡百器物，作為實踐對象。對於船山人格美學理論深入探討，將有助於吾人理解儒家思想，除可借古鑑今，有助主體人格修養之資，亦可提供當今文化社會之助。 在研究方法及行文架構上，著重考察船山之生平行誼、船山的經典評注，以及船山對人物之品評等三方面的文獻，以統整匯觀船山人格美學的思想特色。在論文中以本體論和方法論為綱，共區分為六節加以評述，即本體論、境界說、修養說、方法論、品鑑說、及其自身生命印證等六個層面，希望能為船山的人格美學研究，建構一套可資理解的系統。

This essay explored Wang Fu Ji's aesthetics of character. The author analyzed documents of Wang Fi Ji's biography, his writings on classics and his critiques on historical figures. Wang Fu Ji's aesthetics of character could be illustrated with two parts: the ontology and the methodology. Therefore, the essay included six sections: the ontology, the world field view, the praxis view, the methodology, the critiques, and Wang Fu Ji's moral praxis in his life.