執正以馭奇──《文心雕龍》「馭」文之創作論及其開展

The Significance of the Wen Xin Diao Long in Discussing the Art of Controlling Writing Methods in Creative Theory

本文從劉勰運用「馭」之相關概念作為主要切入點及論述主軸，先從「奇與正」探討《文心雕龍》馭文的審美觀；然後考察《文心雕龍》「馭」的比喻概念在創作理論觀念上之映現，此部分主要循三方面進行討論，以探究其理論意義，其一從文術著眼，論執術馭篇之法，可見「馭」實可作為創作時操控掌握的準則；其二從情采關係闡述，論控情馭采之法，可知「馭」文之目的，在於創作啟始到發生階段進行控引情源，並在創作完成階段檃括情理，從而透過鎔意裁辭之法，使作品情辭表現更為均衡適切；其三從體勢上考察，論因利騁節之法，探討創作駕馭得宜所獲致的效果，亦即如何透過「馭」之理則使行文能達成「因情立體」的條貫性以及「即體成勢」的諧和性。本文期能從不同的視角體現《文心雕龍》創作論理路，從而呈顯「馭文」之法在創作論上的開展。

This article takes the concept of ''control'' as introduced by Liu Xie as its starting point for discussion. It first explores the aesthetic perspective of controlling writing in ''Wen Xin Diao Long.'' Additionally, it examines how the concept of ''control'' in ''Wen Xin Diao Long'' is presented in terms of creative theory, which is divided into three aspects: firstly, focusing on literary techniques; secondly, elaborating on the relationship between emotions and artistic expression; and thirdly, assessing the perspective of posture. The aim is to present the theoretical framework of creative writing in ''Wen Xin Diao Long'' from concrete and unique angles, highlighting the significance of mastering the art of controlling writing methods in the realm of creative theory.