英文摘要 |
The field of Impressionism and modernity has long been dominated by the works of male artists, leaving the contributions of female artists largely overlooked. This paper seeks to address this imbalance by exploring the perspective of Berthe Morisot (1841-1895), a key figure in the Impressionist movement, and expects to offer a unique lens to examine female modernity through her outdoor paintings. Despite her significance and numerous creations, Morisot has often been overshadowed by her male counterparts, with scholarly attention primarily focused on her indoor works and biographical interpretations. This paper aims to shift the focus to her outdoor paintings, which depict the daily lives and leisure activities of bourgeois women in the modernized 19th century France. The analysis begins with pointing out the issue of modernity in Impressionism and its long-neglected problems. Afterward, by analyzing Morisot's cityscapes, suburbs, landscapes, and waterscapes, this paper will demonstrate how she conveyed the sense of modern life and art in her paintings. Through this exploration, the paper seeks to address two key questions: Can modernity be equally represented by women, and what might modernity look like in the works of female artists? In contextualizing Morisot's works within the discourse of modernity, this paper argues that women can indeed represent modernity, and that understanding their perspectives is essential for gaining a comprehensive understanding of the era. Ultimately, this paper aims to contribute to both the discourse of modernity and the discussion of Morisot's life, work, and contribution within the Impressionist movement. |