越南10世紀到19世紀的漢字六言詩研究

A Study of Vietnam's Sinographic Hexametric Poetry from the 10th to the 19th Centuries

六言詩是中國漢詩中的一種獨特詩體。在古代漢文化及漢詩強烈傳播的趨勢下，東亞各國早已接受並參與創作這種詩體。近年來，在中國、韓國、日本等國的六言詩吸引學術界從形成與發展過程、特點與面貌、移植與改變、本土化等許多方面進行深入研究。但在此背景下，越南的漢字六言詩卻尚未得到應有的關注。越南存在著漢字六言詩的流派，此詩體在近千年間（10世紀到19世紀）有豐富的創作歷程與作品。在當前東亞詩學的背景下，越南漢字六言詩接受與創作的情況與東亞各國有相當的差異，對探討漢文化圈國家接受漢詩及漢文化有積極的意義和巨大的學術價值。

Sinographic hexametric poetry (or six-character poetry) is a compelling genre of the Sinitic poetic repertoire. The transmission of Sinitic culture and poetry in pre-modern East Asia gave rise to the employment of that genre in the region at the same time. The Sinographic hexametric poetry in China, Korea, and Japan have been under thorough scholarly scrutiny and recognition, concerning the process of reception and development, major characteristics and appearances, evolution and transmission. Nevertheless, the issue of Sinographic hexametric poetry in the pre-20th century Vietnam is in a paucity of academic interest. In actuality, there did exist a stream of Sinographic hexametric poetry with its abundant development and archivement in the course of nearly thousand years (10th - 19th centuries). In the context of East Asian poetics, there could be figured out several differences in the adaption and composition of Vietnam's Sinographic hexametric poetry in comparison with other countries. Those differences provide an amount of positive significances as well as scholarly values to the research on the reception of Sinitic culture and Sinitic poetry in Sinosphere countries.