體虛之道與風景的感知：雅各泰的風景詩學

The way to experience the void and the perception of landscape: poetics of the landscape at Jaccottet

本文以法國當代法語詩人與思想家菲利普．雅各泰（Philippe Jaccottet, 1925-）的詩文為例，探討在其作品中呈現的對於風景的感知與書寫中的跨文化特徵，即在他對風景的體驗中融入對於東方古典審美思想的體會，尤其呈現道家、禪宗思想的影響。從風景的詩學可透視詩人從在世界中的存在方式的選擇到人與世界的關係的理解，而這與對於西方抒情傳統的突破與超越深刻結合在一起，因而體現出有意識的具有倫理特徵的美學選擇。作為「體虛之道」的傳達，風景的感知與書寫也凝結美學與倫理層面的中西跨文化交匯。

By analyzing poems and essays of Philippe Jaccottet (1925-), this article consists in discussing the cross-cultural characters of his perception and writing of the landscape: in the experience of the landscape, he integrates understandings of the classic esthetic thoughts of the Etrême-Orient, and particularly the influences of Taoism and the chan (Zen).
From the point of view of the poetics of landscape, this article reveals the choice of the way of being to the world of the poet-thinker Jaccottet, and his understanding of relationships between man and world. This tendency is profoundly bound in the overtaking of the lyric tradition in West for which Jaccottet tries to make, thus shows a conscious choice of the esthetics based on the ethics. By transmitting the way of experiencing the void, his perception and writing of the landscape also condenses the exchange and the cross-cultural dialogue on the esthetic and ethical plans.