朱和之《樂土》中森丑之助的形象再現與知識系譜

The Representation of Mori Ushinosuke and Knowledge Genealogy in Zhu Hezhi's 'Paradise'

日治初期的人類學者森丑之助，因解嚴後的史料翻譯，而常成為作家筆下的角色。本文以朱和之2016年的《樂土》為研究對象，探討小說中的森丑之助呈現出何種形象，而朱和之又是經由何種知識系譜來進行再現。本文指出，朱和之筆下的森丑之助既是「理解蕃人」的人類學者，卻也是總督府「理蕃政策」的協力者，呈現「雙重理蕃」的複雜形象。接著，本文對照楊南郡所譯註的調查報告《生蕃行腳》，發現朱和之不僅對於史料有所取捨，更雜揉田野調查經驗，進而於知識系譜的轉譯過程中，讓森丑之助從一個歷史人物，化作具有批判視角的符號。透過《樂土》的分析，本文期能反映出當代作家如何面對日治時期所遺留的人類學知識體系，並轉化為當代文學的書寫資源。

Japanese anthropologist Mori Ushinosuke became a common character in the modern works of writers due to the translation of historical materials after the lifting of martial law. This article takes Zhu Hezhi's 2016 novel ''Paradise'' as the research object to explore what kind of image Mori Ushinosuke presents in the novel and how Zhu Hezhi reproduces it through what kind of knowledge genealogy. This article points out that Mori Ushinosuke is both an anthropologist who ''understands the indigenous peoples'' and ''a collaborator of the Governor's Office's Policy'', presenting a complex image in Zhu Hezhi's work. Then, after comparing with Yang Nanjun's translated survey report ''Shengfan Xingjiao'', it can be found that Zhu Hezhi not only has some choices in historical materials, but also blends his field investigation experience, and then in the reculturation of historical materials and the knowledge genealogy, Mori Ushinosuke has become a symbol with critical perspectives from a historical figure. Through the analysis of ''Paradise'', this article hopes to reflect how contemporary writers face the anthropological knowledge system left over from the Japanese rule period and transform it into a writing resource for contemporary literature.