英文摘要 |
There are three major findings in this paper. The first concerns the Six Schools which T'ang Emperor Hsuan-Tsung's Preface of 745 AD to Hsiao-Ching claims that the Imperial Glosses of Hsiao-Ching was based on. The Six Schools, according to the Sung scholar Hsing Ping in his Hsiao-Ching Cheng-Yi (The Correct Understanding of Hsiao-Ching), were those of Wei Chao, Wang Su, Yü Fan, Liu Shao, Liu Hsüan, Lu Ch'eng. A close examination of the Glosses shows that the text only cites Wei and Wang, leaving out the other four schools. Scholars of the Sung Dynasty and later suggested various hypotheses on the nature of the disparity between the Preface's claim and what is actually cited in the Glosses, but they never provided a satisfactory solution. This paper points out that the term of the Six Schools was borrowed from Liu Hsuan's ''Preface'' to his Discourse on Hsiao Ching and that the Imperial Glosses did not actually consult the work of all of the six schools. This finding reveals the perfunctory scholarship of the Confucian officials at Emperor Hsuan-Tsung's court in preparing the ''Preface'' and the Glosses. Secondly, T'ang Emperor Hsuan-Tsung ordered Yuan Hsing-Ch'ung to compose a Commentary on the Imperial Glosses when the latter was completed. Yüan's Commentary, however, was no longer available after Hsing Ping's Hsiao-Ching Cheng-Yi became popular. Yüan's Commentary, which is thought to be extinct, is in fact preserved in Hsiao-Ching Cheng- Yi, which differs from the former only in the addition of a commentary on Emperor Hsüan-Tsung's ''Preface.'' This finding is a significant contribution to the history of the T'ang and Sung scholarship on the Classics. Thirdly, Emperor Hsuan-Tsung decreed in 746 AD that the Commentary on Hsiao-Ching to be redone, and later in the Sung Dynasty Hsing Ping followed an imperial edict to publish a critical edition of the Commentary which appeared as Hsiao-Ching Cheng-Yi. Because Yüan Hsing-Ch'ung's Commentary has not been available for a long time, historians have very little knowledge of the contents of the Commentary, its relationship to the new edition of 746 AD, and what Hsing did in his critical edition of the Commentary. This paper sheds light on the editorial work of the T'ang and Sung official glosses and commentaries of the Classics. |