方成培和姜夔〈卜算子〉詞研究

A Research on Fang, Cheng-Pei’s Ci Poetries which used the same rhyme as Jiang Kui’s Bosuanzi Ci Poetries

據統計《全清詞．順康卷》和韻詞中，以和韻姜夔詞數量佔第一名，其中方成培一人和了十六首之多，但其中只有八首 〈卜算子〉是詠梅詞，另外八首是詠蘭詞，本文主要以這八首詠梅詞作姜夔與方成培和韻研究，逐首探究方成培和韻姜夔之方式，並藉此可知方成培對於姜夔詞之看法觀點。由方成培和韻姜夔詞，可得幾個結論：（一）此八首和韻詞，皆接續姜夔所寫之地點、情景、意象而相和。（二）方成培之情感比姜夔更為開朗奔放，以此開展和韻內容。（三）方成培和韻詞選字用詞上有 4 分之 1 與姜夔雷同，並極稱頌姜夔高潔氣韻。

Jiang, Kuei was highly valued in the early stage of the Ching Dynasty. His works became the paradigm of Ci poetry throughout the Ching Dynasty. They were studied thoroughly and imitated eagerly by the Qing Ci poets. Firstly, this thesis examined the rhythm-echoing phenomenon of Jiang’s Ci poetries in the Ching Dynasty by looking into the Yong Qian version of Quan Ching Ci. Besides that, according to the statistical analysis of the rhythm-echoing works in the Shun Kang version of Quan Ching Ci, the number of works which rhythm-echoed with Jiang’s Ci poetries was the most indeed. Among them, Fang, Cheng-Pei had written 16 pieces of rhythm-echoing works, outranking all the other Qing Ci poets. Thus, this thesis delved into Fang’s works--8 poetries of Pu Suan Zi which ode to the plum blossom. These were examined one by one to find out how Fang rhythm-echoed with Jiang’s works, as well as grasping Fang’s opinions and viewpoints on Jiang’s Ci poetries. From Fang’s rhythm-echoing works, the following conclusion could be drawn: (1) All of these 8 rhythm-echoing works had echoed with the places, scenes and imageries of Jiang’s works. (2)Fang’s emotions were more cheerful and untrammeled, hence it was the keynote of his rhythm-echoing works. (3) 25% of Fang’s wordings are the same as Jiang’s, he also praised highly Jiang’s artistic appeal which was noble and unsullied. In short, these 8 pieces of works could be viewed as imitation of Fang on Jiang’s works.