英文摘要 |
From the viewpoint of psychoanalytical theories, the most illuminating aspect of Paul Virilio’s theory is the aspect that analytically describes the ways within which “acceleration” mediates and constructs a newly emerging kind of “sadist jouissance” in contemporary society. Different from the sadist jouissance discussed in traditional psychoanalysis that always takes “the other” as its victim, this emergent sadist jouissance constituted and driven by “acceleration” attempts to take “the field of the world as a whole” as its victim-object. This is a kind of sadist jouissance never really encountered by tradition psychoanalytical theories and their clinical practices. As a result, originally, this kind of sadist jouissance can only stay on the level of pure idea in traditional psychoanalysis. However, Virilio’s theorization on “acceleration” and acceleration machines had explained to us the ways within which this purely ideal sadist jouissance is realized in and become a part of contemporary perceptual reality. |