從缺陷到對話到創作──論博物館科技的「共享權威」與「數位策展」實踐

From Defects to Dialogues to Creation─On the Practice of“Participatory Authority”and“Digital Curation”in Museum Technology

「數位博物館」議題與想像是否被過度期待？相關質疑不絕。其中的數位典藏技術與應用並不怕討論，更何況面對其創新應用以及所涉的數位轉譯技術，毋寧需要更多觀點與討論的介入。「藝術鑑賞」是從主觀的體驗觀察（隱性），透過文字或媒介去表述，並予以具體化、形象化（顯性）。而數位轉譯也必須是在「內容專業」與「技術專業」的既有基礎上，提供第三方專業去建構可尋、取、用、識、感的對話。在數位轉譯的應用上，「隱」「顯」確實是互相補益與支援的。因此，本研究以數位典藏資料為材料，探討其作為開放資料的數位民主化後之「共享權威」議題，並具體地透過以數位轉譯技術為核心的「數位策展」手段去實踐。而面對缺陷到對話到創作的答案，本研究則提出「三元結構」作為數位內容與數位技術共構之模式結論，也回應對於「數位博物館」的諸多議題。

There are some existing opinions about “digital museum” being impracticable. Many issues on digital archives and applications are open for discussion, however, the digital interpretation technology involved in related issues requires more discussion and intervention from different perspectives. “Art Appreciation” is tacit knowledge when it is subjective experience observation, however, when it is expressed through embodied and visualized texts or multimedia, then it is explicit knowledge. “Digital interpretation” is to provide third-party expertise to construct searchable, accessible, usable, recognizable, and perceptible interactions on the basis of existing “content specialty” and “technical specialty.” As far as digital interpretation is concerned, “tacit knowledge” and “explicit knowledge” are indeed mutually beneficial and supportive. Consequently, this research uses digital archives as material, discusses the issue of “sharing authority” after the digital democratization as open source, and specifically implements it through “digital curation” methods with digital interpretation technology as the core. In response to the research conclusions from “defects to dialogue to creation,” this research proposes “Ternary Structure” as a concrete reference model for the co-construction of digital content and digital technology.