黃仲則〈題黃荊榻寺壁〉與〈偶題齋壁〉之禪思境界

The Zen Meditation States of Huang Zhongze's“Write on the Huangjingta Temple’s Wall”and“A Chance to Write on the Wall of the Study”

題詩於壁，具有公開展示性，作者須以簡練的妙語、通俗語，達到易於記誦、喚起共鳴、雅俗共賞、警醒世人或感悟人生。歷來學者對於「題壁詩」的研究，從唐宋至明清，多著墨於唐宋時代，缺乏清代個體詩人的專論。本文選擇清代著名詩人黃仲則為研究對象，試圖探討黃仲則〈題黃荊榻寺壁〉與〈偶題齋壁〉這兩首題壁詩。首先考察二詩創作背景，探析其內容意蘊與章法結構，在內容意蘊中探析二詩不同音律與情緒的表現關係，透過二詩相同「平提側收」章法結構呈現不同的人生感悟與禪思境界。

Writing a poem on a wall is a form of public exhibition. Authors need to use concise and witty words and colloquial language that is easy to memorize, and strike a sympathetic chord that suites both refined and popular tastes, to awaken the world or to reflect on life. Research on “Wall Poems” has mainly focused on Tang and Song dynasties and Ming and Qing dynasties. Monographs of the individual poets in Qing dynasty, however, are lacking. The main research subject of this paper is Huang Zhongze, who was the famous poet of Qing dynasty. We discuss two of his wall poems: “Write on the Huangjingta Temple’s Wall” and “A Chance to Write on the Wall of the Study.” First, we investigate the background of the two poems, and then discuss and analyze the connotations and organizational structure of the content. As for the connotations, we discuss and analyze the presentational relationships of the different rhythms and the emotions of these two poems. In regard to organizational structure, both poems share “overall expounding and curved endings” to present different reflections on life and the Zen meditative state.