共文的影片：蔡明亮《不散》的互文性與引用句法結構

Coex isting Filmic Texts: Analyzing the Intertextuality and Syntactic Citation in Tsai Ming liang’s Goodbye, Dragon Inn

本論文從互文性分析與引用研究來對蔡明亮的《不散》進行分析。蔡明亮的《不散》與胡金銓的《龍門客棧》這兩部影片之間的互文性與引用問題是令人深思的。在蔡明亮的《不散》與胡金銓的《龍門客棧》之間，如同巴赫金的對話主義般的在《不散》中展開。這兩位電影導演的對話重點是在電影空間與電影剪接的思辨。在引用問題上，本文借用翁團．貢帕雍（Antoine Compagnon）的理論來分析蔡明亮《不散》中引用的背後結構與意義。本論文聚焦在互文性與引用這兩個問題，來對《不散》進行影片分析。

This paper aims to analyze the intertextuality and the issues of citation in Tsai Ming-liang’s Goodbye, Dragon Inn. The relationship between Tsai’s Goodbye, Dragon Inn and King Hu’s Dragon is complicated and thought-provoking. They unfold in Goodbye, Dragon Inn as a dialogue, and moreover, in the center of the dialogue between two directors and two films are their reflections on cinematic space and cinematic editing. In this paper I borrow the concept of Antoine Compagnon as an analytic tool to excavate the hidden structure and meaning in Tsai’s Goodbye, Dragon Inn.