英文摘要 |
I think therefore I am. Likewise, I create script therefore I am. Based on the fact that I create script, I infer my existence. No matter what kind of script I create, there must be a practitioner of script, that is, “I”; therefore, there is no doubt that “I exist.” Similarly, the fact that my country has created its own script proves that my country exists. By creating a script specific to a community or a country, members of the unity can imagine that they shape and form a united community. This article takes three East Asian countries as examples to discuss their creation of script and the construction of East Asian nationalism. Although the three countries were different in terms of time and space, they were all near the borders the Chinese empire and existed before the emergence of print capitalism. They all tried to reconfirmed their own independence by creating or adopting a particular set of script as their official writing systems in order to establish national identity and to strengthen their own subjectivities when they attempted to keep away from the interference of foreign domination. In the process, script played a key role. It functioned as a social bonding agent, enabling people, who did not know each other, to connect with each other and to imagine that they were a community. Moreover, it made it clear to the members that the new country was different from the former ones. The creation of script gave the weaker or smaller countries that were ruled, interfered in, or bullied by powerful empires an autonomous field, a tool to justify their existence, and a way to unite their people and to work for their own cultures. |