英文摘要 |
In recent years, museums have set off a wave of cultural equal rights. However, the various cultural equality practices have failed to solve the problem of structural cultural disadvantages. At present, cultural equality progresses through the“supply/defect model”. For example, accessibility facilities have been used to improve the inconvenience of space accessibility for persons with disabilities. What museums fail to realize is that they are still under the“production and supply model”of an industrial society. The elites with knowledge power concentration engage in production research, archiving, showcasing, and educational promotion, which are in turn given to the general public through marketing divergence. The“supply/defect model”is in a state of unconscious cultural disadvantages and cultural incompetence. That is to say: in rapidly changing times, competitiveness and appeal are constantly lost. Investigating from the trend of social change toward decentralized neural network links, it is advisable for museums to consider changing their course to the“demand/uplift model”. Through multiple dialogues directed toward social issues and public participation, museums will be the junction of social issues, while customizing the requirements for customers to achieve success. This model abandons large exhibitions and instead adopts the concept of history co-writing by museums and the general public who need and empower one another through co-production. This way, the elimination of cultural disadvantage and cultural incompetence mentioned above will become a possibility. |