向陽現代詩的黑色意象

Research of Black Image in Xiang Yang's Modern Poetry

作為台灣詩壇重要的詩人代表，向陽的詩作相當靈巧地駕馭著詩的繪畫性，其不只展現在圖象詩的創作，也表現在詩作中大量色彩字詞之運用。觀察向陽筆下顏色字的使用頻率，可以發現以黑色系（黑、烏、墨、玄、黛）210次最多。本文嘗試聚焦於向陽現代詩的黑色色彩意象，觀察詩人如何透過黑色意象之經營，以「繪畫性」銜接「思想性」，傳達他的人生哲思與社會關懷。透過相應的分析可以發現，向陽現代詩的黑色意象經營，一方面以黑、烏、墨、玄、黛等顏色詞出現，透過多層次的黑色圖譜，傳達具體或者抽象的情感暗示，以及對協調、對稱的美學追求；另一方面，詩作裡的黑常與自然意象相結合，闡釋詩人對台灣島嶼的愛、對社會的關懷，這也是向陽黑色書寫中的一大特色。

"Xiang Yang is an important poet in Taiwan's literary world. His poems flexibly show the painterly nature of modern poetry. His painterly character is not only shown in his pictorial poems, but also in poems that use color words extensively. We observe the frequency of Xiang Yang's use of color words, and we can find that the black series are the most used, 210 times in total. This article wants to focus on the black image of Xiang Yang's modern poems. Observe how Xiang Yang uses black imagery and connects his 'ideological nature' with 'paintability' to convey life philosophy and social care. Through analysis, it can be found that the black image of Xiang Yang's modern poems is very distinctive. First of all, he uses a lot of color words, and uses multi-level black maps to imply concrete or abstract emotions, and pursues the beauty of coordination and symmetry. On the other hand, the black writing in his poems has another key point, often combined with natural images to express love for Taiwan, which is also his important feature."