消逝的階級性？――重估黃石輝鄉土文學在普羅文學史的位置

The Fading Class Consciousness：Reevaluate the Genre of Huang Shi-Hui's folklore literature in History of Proletarian Literature

黃石輝的鄉土文學根據文藝大眾化、言文一致理論，以勞動大眾為讀者對象，倡導台灣話文書寫，內容淺白的民間文學為文類，反映出無產階級性，被納入台灣普羅文學系譜，尊為先驅、前衛。而鄉土文學兼融民族性、階級性，類比於文藝上的「列寧主義」，本文對上述兩個結論重新評估。本文根據日本「納普」的文藝大眾化定義：滲透階級意識，並以無產階級專政、聯合世界無產階級為目標，文藝組織大眾等為參考點，比較鄉土文學。黃石輝以提倡台灣話的文學與解決文盲問題為目標，是一種迎合大眾閱讀需要的文類。兩者在大眾化目標與題材、形式、內容完全不同，鄉土文學應置於本土論、鄉土文學史，而不是普羅文學系譜。

"Huang Shi-Hui's folklore literature was arrayed in the pedigree of Taiwan proletarian literature history. He was respected for pioneer, avant-garde for the factors of literary popularization theory, written in Taiwanese, genre of folklore literature. Folklore literature combined national cultural form and proletarian content was analogized as Leninism on literature. According to the definition of literary popularization theory from 'NAPP', penetration of revolutionary class consciousness, to unite the proletarian class of the world. Huang Shi-Hui's folklore literature was aimed to solve the illiteracy issues. They were two different genres from goal, material, form, content to each other. Folklore literature should be arrayed in the Taiwan native literature, not proletarian literature."