英文摘要 |
"Completed in 1952, Jiang-Kui's'Whirlwind' was considered a masterpiece of the 'anti-communist literature' by most historians of Taiwan literature. Hsia Chih-tsing, a well-known overseas scholar and critic, regarded Jiang-Kui, as 'a synthesizer of lateQing and May-forth literary tradition', and his novel 'Whirlwind' represents the culmination of realistic, satiric tradition of Chinese novel. In the post-war Taiwan, the literary trend was changing continuously, and praises and criticisms on 'Whirlwind' appeared along with different situations in literary circles. As a literally work, 'Whirlwind' was praised by writers in Taiwan during the 1950's. In the 1960's, Hsia Chih-tsing spent an exclusive chapter to discuss 'Whirlwind' in his A History of Modern Chinese Fiction. In the 1980's, scholars from Mainland China, with their communist consciousness, gave 'Whirlwind' harsh comments because of their communist ideology. Due to the distinct 'anti-communist character' of 'Whirlwind', this novel had received different reviews through different environments and trends, making a 'whirlwind accepted history'. This paper explores these three stages chronologically and proposes a history of reading 'Whirlwind' in the post-war period." |