論《南方移民村》作為報導文學文本的可能

A Discussion of the possibility of 'NanPou IMinSon' as a Reportage Text

《南方移民村》一書中，濱田隼雄以鹿野移民村為背景，記載私營移民村的歷史樣貌與當時代的政策、經濟概況，就前行研究成果來看，書中所呈現的歷史事件具有相當程度的真實性，顯見《南方移民村》的「歷史價值」。本文認為，從「歷史價值」與「真實性」作為報導文學的切入角度，探看濱田隼雄將當時代的移民現象與農業經濟為主體，自文學的敘述提供讀者精確的資訊，從而探討《南方移民村》作為報導文學的可能。其次，報導文學係透過新聞事件、議題的報導佐以文學的筆調使讀者了解社會現象，濱田隼雄以小說的方式描寫太平洋戰爭前，一群日本北部的移民為求更好的生活而離鄉背景到台東鹿野移民村拓荒的故事。通篇以全知的觀點進行書寫，在敘事者不等於寫作者的前提下，或許無法周全讀者視角以及表述作者的主觀見解。然而，「新新聞學」以小說的筆法，將報導文學開展至第三人稱的敘述視野，以全知的視角帶出敘事觀點，讓報導能配合小說特有的書寫技法，以場景來再現時空，使「真實」得以被重現，報導文學的困境得以舒展。筆者藉由文本的再審視，讓《南方移民村》自報導文學的角度重新切入；過程中，將自文獻資料的比對探《南方移民村》文本中的虛／實，並以美國新新聞作家伍爾夫所主張的寫實主義技法，檢視濱田隼雄寫實主義小說之書寫策略。

"The method of this paper depends in historical value and authenticity, looking how Hamata Hayao using literature strategy to show readers about the times of immigration and the agricultural economy, discussion the possibility of Reportage. The historical novel 'NANPOU IMINSON' written by Hayao Hamada , who was one of the active writers in Taiwan before World War II. Hamada using fiction narrative to write the people from Japan to Taiwan, just expect for a better life. He also concentrates on the description for these Japanese immigrants in Luh-Yeh Village, Taiton. 'NANPOU IMINSON' reflects the profound immigrant problems through an omniscient viewpoint, it might not fit in Taiwanese Reportage, but according to the findings, those strategies and skills Hayao Hamada had used are identical to the new Journalism, which might be a new boundary of the Taiwan Reportage Text. In sum, this paper will re-survey the 'NANPOU IMINSON' by the New Journalism reportage conventions; shed the lights on the ideal and real."