渡也新詩理論研究

Research on Du Ye's Theory of Modern Poetry

在台灣現代詩人當中，渡也同時擁有詩人與學者兩種身份，作為學者而言，不僅專精於現代詩的研究，同時也兼及古典詩研究，出版了現代詩與古典詩的論著多種。然而在渡也研究當中，多半集中於關注詩作的探討，少有對於其詩論的分析，本文便透過本質論、創作方法論、詩歌鑑賞論與功能論四個角度，系統性地處理渡也論詩的文本，提出主要意象論、謀句而成篇的修辭方法、創作者觀點的鑑賞批評，以及現實意識的社會功能論，分析渡也從內容到形式層面的詩學論述。可以發現渡也自身的創作，的確能夠同時實踐其詩論，形成詩論與創作的融通與疊合，產生啟發性與思辯性。

Among modern poets in Taiwan, Du Ye has two identities as a poet and a scholar. As a scholar, he not only specializes in the study of modern poetry, but also studies classical poetry. He has published a variety of works on modern poetry and classical poetry. However, in the study of Du Ye, most of them focused on the discussion of poetry, and there are few analyses on his poetry. This article systematically deals with Du Ye's poetry through four perspectives: essentialism, creative methodology, poetry appreciation, and function theory. The text proposes the main imagery theory, the rhetoric method of writing a sentence, the appreciation criticism of the creator's point of view, and the social function theory of realistic consciousness, and analyzes the poetic discourse from the content to the form level. It can be found that Du Ye's own creation can indeed practice his poetic theory at the same time, forming a fusion and superposition of poetic theory and creation, resulting in enlightenment and speculation.