臺灣笠詩社的詩人雙壁：白萩與李魁賢詩作析論

Two Representative Poets of Li Poetry Club in Taiwan: On the Poems of Baizhi and Li Kui-hsien

同庚的白萩與李魁賢都是臺灣笠詩社資深的元老級詩人，兩人俱在1956年加入當時聲勢浩大的現代派。同屬早慧詩人的他們皆從現代主義起步，早期詩作亦曾瀰漫浪漫的色彩，隨後轉向寫實主義，語言趨向質樸，並刻意碰觸社會現實。白萩與李魁賢二氏可謂是笠詩社的雙璧，具有開創性的地位。本文分述他們兩人的詩作特色及其發展軌跡，最後並指出其詩作異同之處以為結論。

Bai-zhi and Li Kui-hsien, both were born in the same year, are veteran poets from Li Poetry Club in Taiwan. Both of them joined the Modernists in which the members were so massive in 1956. The two poets started to write poems from modernism very early. Their initial poems were also romantically colored, and then turned to realism. Their language tended to be simple and deliberately touched social reality. Both of them, with groundbreaking status, can be described as ''two representative poets of poetry club'' within the Li Poetry Club. This article describes the characteristics of their poems as well as the developing trajectories, and finally points out the similarities and differences between their poems in conclusion.