移動與敘事：論葉日松的旅行詩

Mobile and Narrative: On Jih-Sung Yeh's travel poems

「旅行書寫」近年來受到創作者與研究者高度的關注。綜觀這此種主題文類，實能展現旅者個體主觀的感悟，其對客觀景物的描摹，亦蘊含對生命經驗的探索與追尋，展現自我意識與心靈自由，進而體驗人生、品味人生。本文以客籍作家葉日松先生的新詩作品為主要考察對象，輔以詩作創作相互連結之部分散文作品加以論述。並運用佛洛伊德之心理符號機制，從再現、差異、認同、批判、調整等五種面向進行探討，分析其觀點與寫作策略，並聚焦其作品之美學展現與關懷。此外，亦著重梳理空間移動帶給旅行者的意義，以及作者對旅程的參與和觀察。同時，當地景描繪轉變為人文風景敘事時，置身其中的旅者勢必將引發種種思考與啟示。本文嘗試對葉日松的旅行書寫提出閱讀觀察，期能對其創作風格有更深刻的認識與體現，並探討旅行與書寫之間所產生的多元意義。

'Travel Writing'' has received considerable attention by creators and researchers in recent years. When looking at this kind of theme, we can usually find the travelers individual subjective perception, which describes the objective scene, contains the life experience of exploration, to show self-awareness and spiritual freedom, as well as the taste of life. In this paper, the Hakka writer Jih-Sung Yeh's travel poetry is selected as the object of study. We investigate the five different psychological phenomena, i.e., reproduction, difference, identity, criticism, adjust, in psychological mechanisms symbol of Freud so that the opinions and writing strategies, especially the aesthetics of his works and focus of concern, can be analyzed. In addition, the significance of migration, participation and observation of the author during the journey are also to be investigated as well. Moreover, we can expect that the author is bound to lead to some sorts of thinking and enlightenment when the narrative of scenery has been changed to cultural description. This paper attempts to find out some observations in Jih-Sung Yeh's travel writing poetry, try to have a profound understanding on his writing style, as well as to explore the significance of pluralism between traveling and writing.