英文摘要 |
We investigated how the notion EXHIBITION is transitively profiled in the written communication targeted at arts- and leisure-minded readers in terms of functional and operational meaning dimensions. Along the functional dimension, exhibitions are characterized in more diverse roles in arts; on the contrary, exhibitions are typecast as taking on more static roles in leisure. Along the operational dimension, exhibitions are characterized as both efficacious and inert at the same time in arts; comparatively, exhibitions are pictured uniformly as more active and vigorous in leisure. Our findings demonstrated (i) the comparative disciplinary transitivity portrayals and associated ideational representations of EXHIBITION, which might reflect the expectations of visitors, and (ii) the differential role conceptions built up in curatorial views in contrast to linguistic profiles. |