英文摘要 |
The American idea of mobility contains the idea of escaping from intolerant normality. Mobility, or moving around, is not only a physical moving but also a psychological quest for true self. The ability to move around symbolizes escaping from claustrophobic life in one’s native place. Elaborating on Deleuze and Guattari’s (1980) rhizome concept to replace roots with routes, Asada (1984) urges modern men to resist the authoritative, oppressive, and established constraints by running away from any form of institutional system like family, school, and social systems, i.e., the roots. By constant moves, one develops routes of different categories and with the new routes to foster a more constructive self. The practicability of the run-away strategy indeed expands the depth of the idea of mobility. Mobility and re/naming often interplay with each other. Naming is an exercise of power because those who name also control. From the perspective of identity construction, renaming is deemed as self-designation; it indicates social and economic freedom, the birth of a truly new self. Renaming interacts with mobility on constructing identity. This paper analyzes the correlations between mobility, renaming, and identity construction in James McBride’s The Color of Water. James McBride, his mother Ruth McBride Jordon, and his maternal grandfather Old Shilsky have experienced a “double dispossession” in their native places and have tried moving away and renaming themselves to construct new identities along new routes through their mobility. |