從「昭和摩登」到「戰時文化」

From “Shouwa Modern” to “Wartime Culture”

日治時代臺灣各種現代知識或概念的傳播途徑中，傳播力最大、影響結果也最難以評估的一種即是大眾讀物。本文企圖以龍瑛宗（1910-1999）為案例，觀察一位純文學中堅作家對大眾文學元素的援用，分析這種策略出現的背景與必要性。龍瑛宗選擇了特殊的形式，獨特的角度，也選擇了一個特別的年代。〈趙夫人的戲畫〉成功捕捉了時代轉換期裡大眾文化在殖民地盛極將衰的片段，也傳達了作者對當時讀書市場及閱讀現象的批評。本文首先將分析這部具形式實驗意圖的反諷小說，如何透過雙層敘事、多角敘事和輕質感風格構成獨特形式？其次，探討它如何透過大眾文學元素的引入、中間色彩的營造，嘗試現實主義文學的虛構化？

In Japanese colonial time, among various means of the communication of modern knowledge and concepts, popular readings was the most powerful medium, but it was also the most difficult to evaluate its influence. This study attempts to take Long Ying-tsung(1910-1999) as an example, analyzing the background and necessity of the use of mass literature by observing an important pure literature writer’s application of mass literature. Long chooses a special method, a unique angle, and an extraordinary period of time.“Madame Chou’s Giguwa” successfully captures fragments of the time of transformation