尬舞──B-boy的身體技藝與文化

Dance Battle: The Body Technique and Culture of B-boy

本研究欲理解臺灣的 breaking（又稱「霹靂舞」）舞者，如何在街舞 工作室的實質場域中，生產並實踐身體技藝（body technique）與知識。 本研究從舞者的身體出發，根據對 breaking 高難度動作技巧，嚴苛耗時的 身體鍛鍊，以及舞者所展演的賽會活動進行觀察與體驗，來探究舞者藉由 教∕學和個人實作，所傳遞的身體技藝內涵，實則蘊含對內向即外顯暴力 的控制，以及以抽象的爭鬥轉化並宣洩暴力的特有形式。如此的技藝內 容，更透過賽會活動的場域，舞者與 DJ、主持人、觀眾的交會，以及共 同對精彩時刻的投身與期待，體現出有別於現代運動競技或特技體操，大 眾競賽與嘉年華式的身體文化。因此，臺灣的 breaking 舞者透過在街舞工 作室與賽會的實踐，以尬舞產生對「街頭」的全球化體驗。

This study attempts to understand how Taiwanese b-boys develop and practice body technique and knowledge in the setting of street dance studios. Focusing on dancers' body, this study explores the body technique of breaking through observing and experiencing the difficult skill and the intense body training required for dancers as well as participating in the competitions which breaking dancers performed in. The body technique contains the control of internal and external violence and the unique way of converting and venting violence to the form of dance battle. Moreover, through competitions and the interaction between dancers, DJ, emcee and audience, such body technique also embodies the body culture of popular games and festivities which is different from modern sports and gymnastics. Through practicing in street dance studios and participating in competitions, Taiwanese b-boys experience the global ''street culture'' by dance battle.