英文摘要 |
The Left Wing Movement during the 'Seventeen-Year' (1949-1966) period and the Cultural Revolution (1966-1976) which followed was a catastrophe for Chinese intellectuals. Therefore, most of the art and literary art works of the so-called 'New Period' try to reconstruct the experience they encountered during these historical events and deal with their trauma. However, within them there are only few works offer criticism for the attitude of intellectuals facing with those torture and provide in-depth thinking for the causes of the related historical development. Gu Hua's The Ru-lin Garden is one of them. This article studies how the author create an imagery of Tai-hu Rock, which is an important element in Chinese literati garden design, to embody the dignity of traditional Chinese literati, so-called 'Fong-Gu'(風骨) and also to represent the paradoxical juxtaposition of negative and positive volume (虛實並構) concept of Daoism. This article argues that through the imagery of 'Taihu Rock' and the design of many meaningful pairs of binary opposition sets and the paradoxical juxtaposition of these binary opposition sets, the novel criticizes Mao's core device for evoking revolution-'Dialectical Materialism'-which is based on dichotomy, and attributes it as one of the main causes of this historical catastrophe. |