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篇名
薩天錫詩詠物詠懷的意境研究
並列篇名
The Artistic Conception of Sa Tianxi's Poetry
作者 林怡君 (I-Chun Lin)
中文摘要
元代詩歌雖無元曲之燦爛,亦為元代文學重要的部分。薩天錫正是元代詩人中的佼佼者。作為無樹功大德而留名於青史者,薩天錫的生卒年、主要事蹟皆難以考證,而其詩集卻是元代詩歌中極為重要的部分,可見其詩歌成就。其詩在題材上便不同於應酬詩占大多數的其他元代詩人,而是以詠物詩、詠懷詩、山水詩為多數;正是這些詩歌以高超的藝術水準呈現出元詩較高的成績。具體而言,薩天錫詠物詩、詠懷詩的意境特點是比興,即由事物或某個生活片斷觸動某種感情,從而書寫詩人的志向、懷抱與感情。薩天錫擅長在日常生活找尋意象,傾注感情或情緒,從而營構日常生活的意境。至於山水詩,薩天錫集中呈現了江南、閩中的自然美景。其中,閩中雄奇的山水通過薩詩第一次為世人所知;江南則在薩天錫那裏成為文化意象,成為美的象徵,不獨秀美地實存於薩天錫的世界裏,亦成為薩天錫時常想像的審美世界。薩天錫山水詩的意境營構在於「視境於心」,即以心觀物,融情入景,從而書寫出完善的審美世界。但限於篇幅字數,山水詩部分日後有機會再寫作發表。
英文摘要
Although the poems of the Yuan Dynasty did not have the splendor of Yuanqu, they were also an important part of the Yuan Dynasty literature. Sa Tianxi is the leader among the poets of the Yuan Dynasty. As a person who has no name in the history of the Qing Dynasty, Sa Tianxi's birth and death years and major deeds are difficult to test, and his poetry collection is an extremely important part of the Yuan Dynasty poetry. The poems are different from other Yuan Dynasty poets who have a majority of entertainment poems, but they are mostly poems, poems, and landscape poems; it is these poems that present high poems with superb artistic standards. Specifically, the artistic conception of Sa Tianxi's poetry and poetry is that it is a kind of emotion, that is, by a thing or a piece of life, to write a poet's ambition, embrace and affection. Sa Tianxi is good at finding images in daily life, pouring emotions or emotions, and thus constructing the artistic conception of daily life. As for the landscape poems, Sa Tianxi concentrated on the natural beauty of Jiangnan and Yuzhong. Among them, the mountains and rivers of Suizhong are known to the world for the first time through Sa Shi; Jiangnan has become a cultural image in Sa Tianxi and has become a symbol of beauty. It is not only beautiful but also in the world of Sa Tianxi. Tianxi often imagines the aesthetic world. The artistic conception of Sa Tianxi's landscape poetry lies in the "vision in the heart", that is, to express the perfect aesthetic world with the mind and the object. However, due to the limited number of words, the landscape poems will have the opportunity to write again in the future.
起訖頁 31-46
關鍵詞 薩天錫詠物詩詠懷詩意境美Sa Tianxipoetry of poetrypoetry of poetrybeauty of artistic conception
刊名 東吳中文研究集刊  
期數 201912 (25期)
出版單位 東吳中文研究所學會
該期刊-上一篇 《金瓶梅》春節敘事析論
該期刊-下一篇 「情」之魔力——梁啟超文學變革的救國之道
 

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