蔣士銓《忠雅堂評選四六法海》對徐庾駢文的傳承

Inheritance of Jiang Shiquan's Zhongyatang Selection Four-Six fahai to Xu Yu Parallel Rhythmical Prose

蔣士銓《忠雅堂評選四六法海》在清付駢文選本中最有特色，他在卷首〈總論〉中的論述文字簡約扼要，留有許多進一步的詮釋空間，而他在全書的評點標準與用語也與〈總論〉相呼應。從中可以探析蔣士銓的駢文理論，補充清付駢文批評史的研究資料，本文還進一步探討蔣士銓為何特別提倡徐庾駢文，考察他如何以徐庾駢文為美學指標，並由此開展其評點，建構其駢文理論。本文的研究結果，認為蔣士銓對徐庾駢文的評點用語，有建立徐庾為駢文典範與推展駢文理論的作用，他確立了徐庾風格論，並明指其駢文筆法，其後凡是接受徐庾駢文的文人學者，其觀點都在蔣士銓的理論範疇內。對徐庾駢文的傳承來說，蔣士銓《忠雅堂評選四六法海》具有指標性的意義。

Jiang Shiquan's Zhongyatang Selection Four-Six fahai is the most distinctive in the selected works of Qing Dynasty. The discussion words of The General Remarks at the beginning of the book are simple and concise, leaving a lot of space for further interpretation, and his evaluation criteria and the terms in the whole book also echo The General Remarks. From this, we can analyze Jiang Shiquan's theory of Parallel Rhythmical Prose and supplement the research materials of the history of Parallel Rhythmical Prose criticism of Qing dynasty. This paper further explores why Jiang Shiquan particularly advocates Xu Yu Parallel Rhythmical Prose, and examines how he uses Xu Yu Parallel Rhythmical Prose as an aesthetic index, and then carries out his commentary and constructs theories of Parallel Rhythmical Prose. The results of this paper suggest that Jiang Shiquan's commentary on Xu Yu Parallel Rhythmical Prose has the role of establishing Xu Yu as a model of Parallel Rhythmical Prose and promoting the theory of Parallel Rhythmical Prose. He established Xu Yu style theory and clearly pointed out the technique of writing of Parallel Rhythmical Prose. The viewpoints of all scholars who accept Xu Yu Parallel Rhythmical Prose are all within the scope of Jiang Shiquan's theoretical category. For the inheritance of Xu Yu Parallel Rhythmical Prose, Jiang Shiquan's Zhongyatang's Selection Four-Six fahai has an index meaning.