論《堅硬如水》對崇高革命的解構與顛覆

On the Deconstruction and Subversion of SublimeRevolution in Hard Like Water

文革作為中國最為禁慾的一段時期，中國的身體經歷前所未有的組織和政治對待，以革命之名對身體進行的改造，並通過政治工具不斷地將人們的身體與國家進行連接。對此，閻連科卻反其道而行之，大膽書寫著文革時期高愛軍、夏紅梅這對革命情侶的瘋狂情愛史，《堅硬如水》中充斥著大量具體細緻的性愛描寫。閻連科拒絕意識形態的簡單化，而是通過塑造高愛軍、夏紅梅這對充滿矛盾色彩的革命伴侶，以戲謔性的書寫顛覆了人們既往對文革的認知。對此，本文將以「革命時期的權力誘惑」，「權力與性的展演」，「父權／革命的顛覆」為關注，深入探尋權力在壓抑性的同時也釋放了性，高、夏這對革命情侶的性愛活動由最初的追求快感，到追逐權力最後演變成了對父權的顛覆。這也讓兩人走向了一場最本質的革命，兩人進行了精神和實質雙重意義上的弒父。這種弒父背後是對父權代表的整個文化權威的反抗，同時也是對毛體制的抵抗，最終，高愛軍號稱要進行的徹底革命，到頭來卻是對革命本身的革命。

During the Chinese Cultural Revolution,the most ascetic period of time, China experienced an unprecedented treatmentof the organizational and political body, the body reformedby revolution. Yan Lianke (閻連科)(1958-)depictedGao Aijun and Xia Hongmei,therevolutionary,who abandoned them selves to lovemaking during this period. In Hard Like Water(《堅硬如水》) (2001) werea lot of sex scenes. Yan Lianke (閻連科) rejectedsimplistic ideology, in writing about the sexual banter nightmarish revolution,and showingthe people’sconfusionin the Cultural Revolution. Therefore, this paper focuses on“the temptation of power revolution,”“revolutionary body/flesh body isomorphic,”and “demon of performances: the destruction and creation”as themes, to explore this revolutionary couple from sex to eros;italso letsGao Aijun and Xia Hongmei revolutionizea fundamental revolutionin the long run.