接受與新創——唐代漁父詩探析

Acception and Creativity-An Exploration of the Art Features in the Poems of Yu-Fu in Tang Dynasty

漁父，是中國古典詩詞中重要的人物形象，但一直到唐代，漁父形象才成為獨立的審美對象，成為詩歌創作的主題，並進行形象的刻畫和塑造。本文即以唐詩中描寫漁父作品加以剖析，進而闡明唐代漁父詩的重要內涵與風貌，以了解唐詩的漁父書寫在文學史上的地位。文中指出，唐代漁父詩的形象類型，包括閒適的漁父、待時的漁父、屈騷化的漁父和禪悟的漁父。而其藝術特色，表現在三方面，一、唐代漁父詩所塑造人物審美精神，為閒適淡泊；二、詩人以漁父表達自己的隱逸之趣，漁父形象，寓託詩人的精神嚮往；三、唐代漁父詩創造清空幽美的藝術境界和沖淡的風格。

Yu-Fu, who is an important image of character in Chinese poetry, wasn’t regarded as an isolated analytic subject until the Tang Dynasty. Since the Tang Dynasty, poets used Yu-Fu as a theme and depicted his characteristics in their productions. Therefore, the goal of this dissertation is to analyze the poems of Yu-Fu in the Tang Dynasty, and furthermore, to illuminate the style and connotation of these poems. According to the dissertation, the image of Tang’s poems of Yu-Fu can be divided into four spiritual aspects: living a leisure life, waiting for the appropriate timing, becoming similar to “Qu Sao” (屈騷), and realizing the true meaning of “Chan.” On the other hand, the poems presented the features of arts in three dimensions. a) typicalizing the image of Yu-Fu, who lives a leisure life. b) expressing the poets’ desire to be a hermit and enduring spiritual aspiration in the poems of Yu-Fu. (c) creating a quiet and beautiful atmosphere in the view of the esthetics. Through these analyses, we can understand the importance of Tang’s poems of Yu-Fu in the history of Chinese literature.