英文摘要 |
In the 1990’s, Taiwan saw the sudden appearance of “Travel literature”. After intensivediscussion among writers, critics, and scholars drawing from textual examples,travel literature is defined as a text which aims to express a profound concept by way ofnarrating a challenging personal experience, and is defined exclusively as a “contemporaryemerging genre.” This article argues that this form of travel literature did not stem fromthe travel memoir genre that had already possessed a long history in China, but ratherwas a literary phenomenon of social significance, and thus the growing trend of pleasuretourism in Taiwan during the 1990s makes for a more suitable context within which todiscuss the prevailing social atmosphere. Just as literature is not a simple reflection ofsociety, travel literature, likewise, cannot be deemed as a mere depiction of the touristcommunity. This paper argues that because literary circles tried to incite “tourist angst”in the tourist community, contemporary “travel literature” works were used as literarytools of resistance to struggle against the crisis of “travel mediocrity”. Contemporarytravel literature, which requires a unique “internal” gaze, also requires a certain kind of“external” description (realistic description); that is, travelers are responsible for “discoveringthe present”, and then amidst the scenery constructing a “subject/object” relationshipwhich is not devoid of an individualistic sense of solitude. Although born out ofthe pleasure tourism era of travel literature, this genre thus contains a deeper meaning:that of the “difficult journey”. |