曹植〈洛神賦〉與〈贈白馬王彪〉詩中的風骨意涵

The “Vigor of Style”in Ode to the Goddes of the Luo River（〈洛神賦〉） and White Ma Wangbiao gifts（〈贈白馬王彪詩〉）of Cao Zhi's poetry

骨是美學鑒賞與文藝批評的重要品項，影響了後代的寫作和體例：「建安風力」（鍾嶸〈詩品序〉）、「蓬萊文章建安骨」（李白〈登宣州謝眺樓〉），「風」強調的是感情，而「骨」則為文章的義理架構，二者是不可分的，它們形成一個強而有力的文學作品之風格，《文心雕龍》對此有更詳細的描述：風是作品的內容，是人精神力的反響，而骨則是作品的意旨，它們展現了作品的力與能。曹氏父子，是建安文壇領袖，曹植是此期最有才華也最有名的詩人，他的文學成就不言可喻，而他的作品更是風骨的代表之作。

The “Vigor of Style” is the aesthetic appreciation and literary criticism in the history of the Important Concept. It has influenced later writings and poetry style in the history of Chinese literature. “The impassioned spirit and cultural elegance amalgamated in Jian’an culture, poetry P’eng-lai literature and Chien-an Ku(bone)” (蓬萊文章建安骨),“Ever since Jian’an(AD196-AD226), the exquisite beauty is not worthy prizing”(自從建安來，綺麗不足珍)“Wind” refers to the ethos; and “bone” emphasis on the shape of the phalanx cell. These two are inseparable, combined into a strength of character. Wen Xin Diao Long (《文心雕龍》) described in more detail: “Wind” is the vitality of the article. It is an intrinsic infection of the human spirit. “Bone” is the expression refers to the article, which means that the article should show its energetic and powerful. Cao Father and son, is leader in the literary world. Cao Zhi's known as the greatest poet in Jian’an period. His literary achievement therefore has the backbone of a high representative of “Vigor of Style”.My aim is to discover the “Vigor of Style” in Cao Zhi's writing especially in his most famous poem Ode to the Goddes of the Luo River(〈洛神賦〉) and White Ma Wangbiao gifts(〈贈白馬王彪詩〉).