移位的「邊界」：納蘭詞的邊塞書寫

Shift of the “border”: The Description of Frontier in Nah Lan Shin Der’s lyric

本文以納蘭詞的邊塞書寫為討論焦點，嘗試在前行研究的基礎上，移轉觀看角度，將納蘭詞中的邊塞書寫，視為一種空間書寫。此種研究進路，主要著眼在邊塞空間本身的特殊性。因為中國地理概念中的邊塞空間，並不只是單純的自然空間，而且還是一種文化空間。在漢族王朝時期層級分明的空間秩序中，邊塞空間是距中心最遠，離蠻夷最近的荒遠世界，因而在此所進行的邊塞書寫，原就內具著面向京城、背朝蠻夷的文化主義華夷觀。在屬於征服王朝的清代，蠻夷從北方的邊疆進入了中國，成為中國的主人。出身滿洲貴族階層的納蘭性德，以漢文學形式（詞體）參與邊塞書寫，他如何界定或改寫邊塞空間的意涵？而這又對他詞作中的邊塞書寫產生何種影響？這些都是本文希冀回應的論題。

This paper is written using the description of frontier in Nah Lan Shin Der’s lyric as focus of discussion. Using the previous research as base and transfer of the viewing angle in the description of frontier, these are identified as writing of a space. As such research approach, the main focus is on the special nature of frontier space itself. Because the Chinese frontier in the geographical concept of space is not just a simple natural space, but it is also a cultural space. In such distinct spatial order of Han dynasty levels, the frontier of space is farthest away from the center, and it is the closest savage worlds to the barbarian countries, therefore the frontier writings are consist of culture concept which is facing the capital and turning back to barbarians. During the time of Han conquest by Qing dynasty, barbarians from the north of the border into China and became the lord of China. Nah Lan Shin Der was born from the Manchurian honorable nobility and he used traditional Chinese literature in the frontier writing. How was he define or rewrite the meaning of the frontier space? And what are the influences to his frontier writings? These are the topics to be responded in this paper.