英文摘要 |
Taiwanese Hakka family group is a unique, brilliant, and self-reliant ethnic one, keeping Hakka culture characteristics everywhere. Hakka folk rhyme is the most unique ring in Hakka culture. The folk rhyme is originally a source with important folk music of Taiwan. All the folk rhymes present their special background and style. Hakka folk rhyme reveals its unique mode, structure, and flavor through refinery and development for a long period of time. The value is incomparable. Analyzed the contents and far-reaching of Hakka folk rhyme, Sunko plays an important role in whole Hakka culture. Sunko is a common name of Hakka folk rhyme and it is also the quintessence and representative of Hakka culture. The rhyme murmurs industry and endurance and symbolizes the perseverance and simplicity of Hakka people. For a long time, Sunko nurtures the mind of Hakka people. Though there are no nobleness and aureole of palace music, it represents honesty and true feelings of Hakka people's natural disposition. Easy words with deep significance, Hakka Sunko is not only a jade of Hakka traditional culture and national music but also an art with truth and beauty. So called, 'Good fortune can revitalize hundreds of trades while good musical songs can release the tiredness of the body', which is the essence of Hakka folk songs. For hundreds of years, Sunko has played an important role through the arduous land farming in Taiwan. It has comforted lonely mind of Hakka travelers leaving their hometown, it has revealed Hakka people concerning their townships and the nation, and it has transmitted the deep anxiety for men and women's sincere soul of Hakka hearts even more. This essay aims at studying the cultural intension of Hakka folk songs, analyzing the origins, kinds, lyrics, and probing into the declining phenomenon. Interpreting Hakka folk songs can contribute to the heritage of Hakka language and culture. By extending the popularity of Hakka folk songs, rejuvenation of Taiwanese Hakka culture can be expected in the near future. |