英文摘要 |
The role of the sky in western painting worked up to a climax during the Romantic era, especially in the first half of the 19th century British landscapes. Cox, with Turner and Constable, were the three British painters most famous for depicting the sky, and each of them had his own style of skies, but Cox was the one has been ignored so long. In order to construct a more comprehensive understanding about Cox’s skies, this study attempts to explore three major points: the reasons why Cox paid so much attention to depict the sky; the development of Cox’s skies and the causes of its transform at each stage; the comparisons of Cox’s skies with those of Turner’s and Constable’s. Firstly, after exploring the artistic background of the Romantic era and Cox’s experience of learning, we find out that his devotion to outdoor sketching and watercolour revealed the most relevant to his great interest in depicting the sky. Secondly, through an analysis of Cox’s treatises and his important works in a chronological order, we can roughly divide Cox’s skies into three stages, and the style of it developed gradually from simplicity to variety, then to vagueness, more wind and rain, finally to the sublime. Thirdly, by a comparison among Cox’s skies with those of Constable’s and Turner’s, we understand that Cox’s skies are much simpler and broader than those by the other two masters, contain more feeling about wind and rain, also usually include some energetic flying birds. |