英文摘要 |
Chinese idealism of the universe can partly be traced back to the reclusion concept in Lao Tzu and Chuang Tzu, which emphasizes the seeking of peace in the world of ideal beauty and is in contrast to the ways of actively participating in the real world. “Peach Blossom Spring” can be seen as the representative of this trend of searching. Although the background of the “Peach Blossom Spring” is on a fairy-tale setting, the place where the fisherman unexpectedly visited is not a wonderland and a future world but a world of the present. What Tao yuan-ming intends to convey in this work is the positive attitude toward the real world, emphasizing on the care and love therein. In Tang Dynasty, there are many fictional works based on the “Peach Blossom Spring” story, but their contents and techniques undergo great changes. There are three different types of stories based on this theme. First group of stories emphasizes the fairy tales setting, which is probably related to the eternity- seeking in Taoism. Second, the presence of the heroes, the wise and the warlords in Tang times signals the unbearable mundane reality and this turns out to be the inner drive for the authors to seek escapism in a nowhere world. The essence of idealism undergoes great changes. Third, unlike the “Peach Blossom Spring” residents, the Tang ideal world rejects outsiders and becomes more illusionary. The meaning and structure of the “Peach Blossom Spring” receive quite different and diversified treatments, changing from loving and caring for human being and society into religious reclusion. |