英文摘要 |
Beethoven's late compositions, which combined the musical characteristics of both late-classic and early romantic periods, were regarded as pioneering works in romanticism, and deeply influenced the development of Western classical music. Beethoven's String Quartet in C-Sharp Minor, op. 131 was completed in 1826 and was composed of each musical element fully presenting the late musical styles of Beethoven. It presents the removal from traditional boundary limitations with extremely subjective thoughts and is the creation of the essential spirit of romantic music. Beethoven completed this String Quartet eight months before his death. It is representative of his late works that brought his music format and content to a new stage and best describes his late-style music. As a whole, Beethoven transcended the limitation of traditional boundaries and tried to use new concepts to create the most important characteristics of Op. 131. The special and schematic arrangement of the musical form and key arrangement all symbolize innovative musical idea. Furthermore, the presentation of a cell of music or a theme in one piece is also seen in other Beethoven's late works. One can easily identify the grand thinking model of Beethoven in his works, and even from a single movement or different movements to different works. In Op. 131, the tonal explores and the uses of string instruments represent Beethoven's intention of renovation. The impressive lyrical melody emphasizes more importance of melodic singing and presentation than his previous works and triggers the deepest feeling of the listeners, which is the most important spirit of romantic music. In the end, there are seven movements in this composition. Its uninterrupted and continuous musical performance makes for a great challenge to performers, both technically and physically. The multiple, complicated musical structure of Beethoven's works also gives new creativity and arrangement to musical performance. |