從習慣領域與美塔學理論解析日本建築大師安藤忠雄

Evaluate Japanese Architecture Master Tadao Ando from Habitual Domains and Metalogy

本研究的主要目的為從習慣領域與美塔學雙理論觀點來解析日本建築大師安藤忠雄的建築理念與設計思維，本研究以文獻分析法進行有關理論的評析研究，文獻來源主要選自有關安藤忠雄的書籍資料與文字報導等文件資訊來進行分析，並用電腦輔助質性分析軟體NVivo10進行四階段的研究處理與分析。本研究的研究結論為：一、安藤忠雄的建築理念中契合習慣領域學說中的「光明心態」和美塔學中「美」的思維；二、安藤忠雄的建築設計思維與想法呼應部份習慣領域的八大通性和八擴原理精神以及美塔學中「塔」的思維；未來的研究建議為可進一步運用習慣領域和美塔學理論去評析與比較其他中西方建築大師的建築理念與設計思維，並能對未來的建築界提出另一種創新的思維和跨領域的做法。

The purpose of this research is to evaluate the architectural design concept of Japanese architecture master Tadao Ando from the theoretical perspectives of Habitual Domains (HD) and Metalogy. This research employs literature analysis from historical documents， books， and papers about Tado Ando. Computer-assisted qualitative data analysis software NVivo 10 is applied to process and analyze four phases of data. There are two major findings for this study. Firstly， Architecture Master Tadao Ando’s design concept fits best of the theoretical concepts of Habitual Domains and Metalogy. Secondly， Tadao Ando used both of the brightly attitude in HD and “beauty” thinking in Metalogy. Further study was recommended to investigate and analyze both the eastern and western architectural concept and design， and compare the differences between them to suggest other innovative thinking and multidisciplinary approach in architectural industry.