英文摘要 |
Since the 1990s, there have been breakthrough developments in the "Picture Books" category in Taiwanese children's literature. Among them, the most amazing is the local artists’ more and more mature performance. Lai Ma, with his highly distinctive characteristics, is one of the creators of the new generation who is gradually drawing more attention. However, although the works of Ma Lai are filled with childlike humor, bright and lively, his writing is done with plain spoken language. He has also repeatedly stressed that "do not rely on imagination for drawing," but to experience life fully through observation and to create "through tangible things." Every one of his pictures is "reasonable and logical." Therefore, regardless of subject matter, his work or content has always been known to be close to real life experience. However, what makes people curious about is even though his creation is based on such a simple concept, Lai Ma's works in fact present a considerable degree of characteristics of postmodern narrative. How does he utilize and interpret the so-called post-modern "de-center", "uncertain" and other spirit in his text? Therefore, this paper attempts to explore the text in the works of Ma Lai, from the author, reader, and text three areas, to examine the drawings, texts, structure and design in Lai Ma’s creation. I will start the discussion from the post-modern presentation in his narrative methods to see how the post-modern elements are mixed into his text of narrative. I will also analyze some post-modern characteristics and what effect they have in his works. I will also observe the phenomenon of how contemporary picture book writers make use of post-modern strategies and experience the post-modern atmosphere of current picture book creators. |