金基德電影〈空屋情人〉中的後現代書寫與情境   全文下載

The Analysis Of Postmodern Writing And Condition In Kim ,Ki-Duk’s Film, “3iron”

金基德電影中的人物皆為被主流社會所屏除在外的邊緣人物，他們似乎也被描寫為與自己的過去與未來脫節，而僅浮動於經歷與參與創造不同現時當下的欲望負載者，因此時間描寫於電影敘事中對金基德來說，是由永恆的現在式語態所論述發聲。而此敘事結構中對於過去的鋪陳是缺席的，對未來的預知指引也是未可知的，然而卻創造出了無止盡的暫顯當下時刻。換句話說，在電影中的時延性是缺乏縱深的非歷史關聯性，而僅是進展於一個斷裂動作連結一個斷裂動作的持續動能。所以整個敘事時態及結構，將呈缺乏對過去事件之起源，和延續至終點的線性整體呈現，因而建構出片段且非線性的不停歇的形成現時當下，所串接的時間敘述。
金基德電影中的敘事地點空間的轉換，也是缺乏連續性，因此，在空間建構上已脫離了古典敘事結構所強調空間在相關性及邏輯性的連結，而選擇做散漫的隨機的，偶發的和不可預知的匯流，也就是一種斷切式語言系統，所展現出沒有開始和結束的敘事。
更進一步的來說，其影片中非歷史性的論述，非道德倫理，非人道主義和非烏托邦的情境，所描述的社會生活，及非線性和非古典敘事結構所建構出的文本，使金基德的電影吸引住了國際的目光。當然，＜空屋情人＞也是其中一部。

The works of Kim, Ki-Duk, a director in contemporary Asian cinema, qualify as postmodern films transgressing the hegemonic dominance of morden text, aesthetic and structure. The characters in Kim’s films are social marginal and outcast excluded from main- stream society. They seem to be disengaged from their past and future, simply floating in different presents as a carrier of desire.
For Kim, time depicted in the cinematic temporality is enunciated by the permanently present discourse, which is absent from its past and is still unknown for its future, but only produces the infinite moment. In other words, this temporal prolongation is ahistorical, lacking depth and merely progresses in action linking action. Thus it also becomes a fragmentary and not a linear development for its lack of commencement and an end, being an endless becoming-presence.
There is no connection between narrative spatiality in Kim’s films. This has become detached from its related and logical linkage prescribed in the classical narrative structure, but randomly, coincidentally and unforeseeably merged together, imbedded with the linguistic system of scission revealing no beginning and end.
Moreover, his non-historical discourses, non-moralistic and non-ethical and dehumanized and dystopian text in describing social life as well as non-linear and non-classical narrative structure in constituting cinematic text also make Kim’s films catch the international gaze. And, of course,”3iron”is one of them.