愛的不可能任務：《色∣戒》中的性──政治──歷史 The Mission Impossible of Love: Sex-Politics-History in ＂Lust, Caution＂
城市與性別的雙重鏡像－－關錦鵬懷舊電影與原文本的參差對位 Double Mirror Images of City and Gender: The Irregular Contrast between the Nostalgic Films by Stanley Kwan and Their Hypotexts
從晶體──影像到離散色彩：以王家衛、彭浩翔、馬修．巴尼為例 From the Cristal-Image to the Diaspora-Color: Wong Kar-wai, Pang Ho-cheung and Matthew Barney
淡化「歷史」的尋根熱－－重探大陸新時期小說的魔幻現實主義 Neglect of ＂History＂ in the Root-Searching Fever-Re-Seeking Magical Realism in the Mainland Chinese New Era Novels
現代中國「同志」的修辭學－－從郁達夫的《茫茫夜》到王小波的《革命時期的愛情》和《東宮．西宮》 The Rhetoric of ＂Comrade＂ in Modern China-From Yu Dafu's ＂Boundless Night＂ to Wang Xiaobo's ＂Love in the Revolutionary Period＂ and ＂East Palace, West Palace＂
性別自覺：商晚筠的女同志話語建構 Gender Consciousness: Shang Wanyun's Construction of Dyke Discourse
口傳文學與作家文學的三重對話－－以臺灣原住民族文學為考察中心 The Three Rounds Dialogue between Oral Literature and Writer Literature-Based on Taiwan's Aboriginal Ethnic Literature as the Core of the Study
